Symbols | A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z

It's also acceptable for the lines to be "open" asshown in Figure 7-54.
WARNING
- inline: 1.4.6. Inline Styles
- using on multiple pages: 1.2.3. Using Your Styles on Multiple Pages
Symbols | A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z
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With the text properties, you can affect the position of text inrelation to the rest of the line, and do things like superscripting,underlining, and changing the capitalization. You can even simulate,to a limited degree, the use of the Tab key on a typewriter.
It's best to start with a discussion of how you can affect thehorizontal positioning of text within a line. This is not the same as boldfaced text. There's your padding.
This all seems familiar enough, even when the boldfaced text stretches across multiple lines. Turn to Figure 7-61 to see what happens with padding set on an inline element displayed across multiple lines:
B {padding: 10px; background: silver;}

As with margins, the left padding is applied to the beginning of the