Book HomeCascading Style Sheets: The Definitive GuideSearch this book Friday 01st of August 2014 09:47:44 AM

10.8. Media Types and @-rules

Don't get too excited yet. We aren't talking about media types in the sense of things like audio and video authoring. Well, not exactly, anyway. We're talking about creating rules for presentation within various kinds of media. The defined types of media thus far are:

These are all values of @media, one of several new @-rules. Some others are:

10.8.1. Paged Media

Since I just brought up paged media, I should probably mention that there are some new properties that apply to such media. Five of them apply to page breaks and where they appear:

page-break-before
page-break-after
page-break-inside
orphans
widows 

The first two are used to control whether a page break should appear before or after a given element, and the latter two are common desktop publishing terms for the minimum number of lines that can appear at the end or beginning of a page. They mean the same thing in CSS2 as they do in desktop publishing.

page-break-inside (first proposed by this author, as it happens) is used to define whether or not page breaks should be placed inside a given element. For example, you might not want unordered lists to have page breaks inside them. You would then declare UL {page-break-inside: avoid;}. The rendering agent (your printer, for example) would avoid breaking unordered lists whenever possible.

There is also size, which is simply used to define whether a page should be printed in landscape or portrait mode and the length of each axis. If you plan to print your page to a professional printing system, you might want to use marks, which can apply either cross or crop marks to your page. Thus you might declare:

@page {size: 8.5in 11in; margin: 0.5in; marks: cross;}

This will set the pages to be U.S. letter-standard, 8.5 inches wide by 11 inches tall, and place cross marks in the corners of each page.

In addition, there are the new pseudo-classes :left , :right, and :first, all of which are applied only to the @page rule. Thus, you could set different margins for left and right pages in double-sided printing:

@page:left {margin-left: 0.75in; margin-right: 1in;}
@page:right{margin-left: 1in; margin-right: 0.75in;} 

The :first selector applies only to the first page of a document, so that you could give it a larger top margin or a bigger font size:

of A, which is in turn a child of a relatively positionedDIV. B was absolutely positioned, as was elementA, using styles like these:

DIV {position: relative;}P.A {position: absolute; top: 0; right: 0; width: 15em; height: auto;margin-left: auto;}P.B {position: absolute; bottom: 0; left: 0; width: 10em; height: 50%;margin-top: auto;}

This is an important point to always keep in mind: only positioned

@page:first {margin-top: 2in; font-size: 150%;}

10.8.2. The Spoken Word

To round things out, we'll cover some of the properties in the area of aural style sheets. These are properties that help define how a speaking browser will actually speak the page. This may not be important to many people, but for the visually impaired, these properties are a necessity.

First off, there is voice-family, which is much the same as font-family in its structure: the author can define both a specific voice and a generic voice family. There are several properties controlling the speed at which the page is read (speech-rate), as well as properties for the pitch , pitch-range, stress, richness, and volume of a given voice. There are also properties that let you control how acronyms, punctuation, dates, numerals, and time are spoken. There are ways to specify audio cues, which can be played before, during, or after a given element (such as a hyperlink), ways to insert pauses before or after elements, and even the ability to control the apparent position in space from which a sound comes via the properties azimuth and elevation. With these last two properties, you could define a style sheet where the text is read by a voice "in front of" the user, whereas background music comes from "behind" and audio cues come from "above" the user!



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implementation-specific limits." User agents aren'trequired to support this type of effect.

7.5.4. Padding: Known Issues

In the first place, padding and Navigator 4.x just plain don't getalong. The main problem is that you can set padding on an elementwith a background color, but the background won't extend intothe padding unless you get very sneaky. You need to add a border, asor appearance; and its color. The default value for the width of aborder is medium , which is not explicitly definedbut usually works out to be two or three pixels. Despite this, thereason you don't usually see borders is that the default styleis none, which prevents them from existing. If aborder has no style, then it may as well not exist, so itdoesn't. The absence of a border style also resets the width,but we'll get to that in a little while.

Finally, the default border color is the foreground color of the

First, let's take apart the page's layout and determinewhat to eliminate. Since there are no pages on the Web, we can dropthe page number. Also, the outer margins can be modified to suit ourneeds, since we don't have to worry about leaving extra spacefor the staples and so forth. However, the editors want to keep thetwo-column layout, the picture placement, and the general appearanceof the text, so we'll have to bear that in mind.

First, let's create the two columns. Remember, we don't want